Third Reflection

When designing a space there are many things to take into consideration. As I learned last week, the artist, lender, etc. can have and most likely will have input on layout and design. In the case of Kelli Connell’s works, Progressive has a say as these works are a part of their collection. DJ will work with Progressive’s curator to design the show and bring Connell’s works to life in moCa’s space. I was tasked with exploring possible layouts and ideas for the Connell show titled Double Life. Connell's Double Life is a photographic series that explores themes of identity, intimacy, and self-perception. It was started in 2002, and the project features digitally constructed images where the same model, Kiba Jacobson, portrays both individuals in intimate scenarios, creating the illusion of a relationship between two women. Through staging and digital editing, Connell crafts "constructed realities" that challenge viewers' perceptions of authenticity and explore the fluidity of the self in the context of relationships and gender roles. DJ gave me the plan for transforming the residency gallery on the first floor into the gallery space that will house Connell’s work for the upcoming show. I took the print outs of every piece of work, the floor plan, and I went down to the first floor to try and imagine the space with Connell’s work. While I was down there, I ran into Ray, the exhibition specialist, and we talked about logistics. Ray told me about the wall they will be installing in front of two out of four doors and how they will be painting the  gallery white. Because there is a new wall coming in, there is some more advanced arranging to do with the photographs. Before I even went down there, I researched Connell’s life and past works. I noted Connell’s Pictures for Charis, a photographic project that reimagines the relationship between writer Charis Wilson and photographer Edward Weston through a contemporary feminist lens. Collaborating with her former partner, Betsy Odom, Connell retraced the couple’s journeys across the American West. Connell created portraits and landscapes that reimagine and challenge Weston’s iconic works. Now, I am supposed to group together the 30 (ish) photographs and try to plan a preliminary layout for the space. I have no idea how to go about this, so I will just jump right in. Knowing what I now know about Connell and her ideas/process, I will just try and go off feeling and vibe to start!

The space before the wall is installed in front of two middle doors. There will be photographs on that wall, it will be white as will the rest of the space (the wall that is now black in the corner will be painted along with the rest of the walls).
The current photographs in the space. I was just trying to get an idea of the current layout of these photographs before imagining Connell's there.
The layout of the new wall (wall D) that will be built in front of two middle doors.




Comments

Post a Comment

Popular posts from this blog

Project Preview

What inspired me to do this project at moCa was my love for art, which has been a guiding factor of my years at Hawken. I am taking my love for art to a new level by looking into the curation and museum administration side. At moCa I will be learning so much more about the way curation at a museum runs, and honestly everything art museum related which is super exciting to me!   My essential questions are: What marketing strategies play large roles in art museum function? Are the behind-the-scenes of museums something the public should know more about?  How do you get artists to want to be featured at your museum?  What makes moCa's exhibitions successful (or not)?
Read more

Second Reflection

Image
Today I went with DJ to a meeting with the registrar and exhibitions director. They discussed the silent auction and benefit (held a couple weeks ago) and debriefed shortly. Then they moved on to discussing moCa's incident management protocols and policies. I learned that the museum has fine art insurance and so they also have to follow certain policies from that agreement which seems pretty complex. I also learned that certain pieces have certain policies based on who the lender of the work is. The team discussed security measures and what not, making sure they check all the insurance company's boxes, as this is quite important. The higher the value of the piece, the higher the security needs to be.  This may seem uninteresting to some, but to me this is all really exciting. I enjoy learning about all the behind the scenes work that goes into museums like moCa. In this meeting the team discussed their temperature and humidity systems as well, which have to be extremely specifi...
Read more

First Reflection!

Image
I am working with DJ Hellerman (lead curator) and moCa, Museum of Contemporary Art in Cleveland. I have learned that everyone here at moCa is super invested in their work and extremely dedicated to helping artists in this community, and bettering the community in general through the arts. moCa is committed to creating a space where art is enjoyed and celebrated here in Cleveland. On my first day I shadowed DJ. We did a “vinyl walkthrough” which is where DJ, the graphic designer here Shannon, and Ray the installation specialist walkthrough the print that will go on the wall, the titles, and more for the next exhibition. This was super interesting to me because I had no idea so much time and effort went into something that seems as simple as the positioning and font of text next to the art. Obviously, the text itself is crucial, but I did not even think about the time that goes into the logistics of cutting the vinyl (which they do in house) for the text, shipping it off to get turned in...
Read more